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Margaret Thatcher Death Party: The musical influence of Maggie

Thatcher evil

Britain is awash with the giddy joy of people celebrating the death of an 87 year old woman. With unseemly haste the Tory “Britain isnt working” slogan has morphed into a queue to piss on her still to be dug grave.

It’s not that I don’t understand the emotiveness Thatcher has always bred, I just don’t get the point.  Her death wasn’t at the hands of a baying mob outraged at the inequalities of her rule, it was at the end of a long, happy and prosperous life. Dance on her grave all you like but she lives on in Blair, Cameron, Labour, the Tories and a whole host of Thatcher-Lites.

If the Iron Lady has a positive legacy, it is perhaps to be found in the music her divisive and destructive time in office inspired.
So Margaret, thank you for the music, if nothing else.

Here’s a selection, starting with Lenny Henry introducing The Beat on TisWas Correction: On OTT (the late ‘adult’ version of Tizwas).


Elvis Costello – “Tramp The Dirt Down”
When England was the whore of the world, Margaret was her madam

You could compile a boxset of Billy Bragg’s Thatcher inspired material (notably “Thatcherites”) but nothing comes close to the beauty of “Between The Wars“.

Jegsy Dodd and the Sons of Harry Cross – “8000 Miles Away” – Falkland Islands commentary

I knew Adrian Sherwood & Keith Le Blanc had produced at least one Thatcher inspired work but thanks go to Craig in New Zealand for jogging my mind. The Enemy Within’s “Strike” samples Arthur Scargill on top of crunching electro beats courtesy of the Tackhead mainman. I can remember hearing it first on Coldcut seminal Solid Steel radio show in the early 90’s. All profits went to the “Miners Solidarity Fund”.
Tackhead also sampled Maggie on “Hard Left” featuring Gary Clail, while On-U Sound produced the Dub Syndicates “No Alternative but to fight”.

Peter Gabriel wrote “Don’t Give up” with the plight of the miners, and the mass unemployment brought about by Thatcher’s policies in mind. He originally offered the female vocal part to Dolly Parton who turned it down, leading to one of Kate Bush’s most memorable performances. (Hat tip to Charlotte for the suggestion)

A couple of hundred revelers took Mogwai’s “George Square Thatcher Death Party” literally and partied in George Square, Glasgow on the night Mr’s T died. The Scots are not renowned for their love of Thatcher, due perhaps to the decimation of industry and their gas revenue paying to keep England on the dole through the 80’s.

Sinéad O’Connor – “Black Boys On Mopeds”

Is “Shipbuilding” by Robert Wyatt the greatest Thatcher protest song? Its certainly the only one to have a 30 minute BBC Radio 4 documentary on the history of the song (well worth a listen).


The Specials – “Ghost Town”

Pete Wylie – “The Day That Margaret Thatcher Dies!”
“She’s gone, and nobody cried”

Frank Turner – “Thatcher Fucked The Kids

A little more Thatcher flavoured reggae from UB40 with “Madam Medusa” and “Iron Lady” by the Demon Rockers.
Round her vacant features, Gilded serpents dance
Her tree of evil knowledge, Sprouts a special branch


Head to Wrong Tom’s bible of funky reggae punky music “Skank Blog Bologna” for a typically indepth dig around Thatcher’s skanking legacy. This rewrite of Dylan’s “Maggie’s Farm” being one delight, although the Dub version is even better.

Maggie was even there at the birth of UK Hip-Hop, as Ricky & The Mutations 1983 “Thatcher Rap” must be in with a shout of being one of the earliest examples of Hip-Hop from these shores.

The Not Sensibles had tongue firmly in cheek when declaring “I’m In Love With Margaret Thatcher“, while The Exploited certainly weren’t..

Her description of Nelson Mandela as a terrorist even earned her a mention from Public Enemy.

Morrissey – Margaret on the Guillotine

The Dead Kennedys – Kinky Sex Makes the World Go ‘Round

Hefner – “The Day That Thatcher Dies”
We will laugh the day that Thatcher dies, Even though we know it’s not right, We will dance and sing all night“.

The Blow Monkeys with Curtis Mayfield – “Celebrate (The Day After You)”

Crass – “How Does It Feel To Be The Mother Of A Thousand Dead”

Suggestions:


How could I forget!!??

Captain Sensible maintained a healthy contempt for Margaret throughout his career, and recorded “There Ain’t No Thrilling Maggie Tonight” for BBC Radio 1. His Falklands tribute “Glad Its All Over” reached the charts and was performed on Top Of The Pops.

Comments: 17

  • craig mclean

    Reply Apr 9, 2013 7:32 am

    tackhead ‘hard left’

    • craig mclean

      Reply Apr 9, 2013 7:39 am

      and ‘strike’ the enemy within

  • craig mclean

    Reply Apr 9, 2013 8:02 am

    and…dub syndicate ‘no alternative’

  • Joey Durango

    Reply Apr 10, 2013 2:39 am

    Now that both Reagan and Thatcher–two demi-gods in the conservative pantheon–are dead, it is time to destroy the myths of their so-called “greatness.” We must set to the task of exposing them as the Class Warfare warriors that they really were: they fired the first salvoes in their War Against the Lower Class! It doesn’t take a degree in sociology or economics to realize that today’s inequality (stagnant wages for the 99% …and record profits and wealth for the 1%) had its genesis in Reagan and Thatcher. Ron and Maggie’s hidden agenda, their true mandate was a perverse and callous Reverse Robin Hood politics: steal from the poor and give it to the rich. The Gipper and the Iron Lady’s lasting legacy, the measure by which history will judge them, is a failed and discredited theory of TRICKLE-DOWN VOODOO ECONOMICS.

  • tim

    Reply Apr 10, 2013 2:07 pm

    UB40 – Madame Medusa (1981)

    Round her vacant features
    Gilded serpents dance
    Her tree of evil knowledge
    Sprouts a special branch

    Check out the whole 12 mins on youtube

  • TimT

    Reply Apr 12, 2013 1:15 am

    Test Dept.’s albums, “A Good Night Out” & “Pax Britannica”
    Gary Clail, “Privatisation Program”

  • Mawb

    Reply Apr 12, 2013 10:56 am

    The The’s “Heartland” is a must in any list , I think. It still sounds relevant today.

    And V.I.M.’s “Maggies Last Party” proved that rave culture could protest just as well as hiphop or industrial, if it so chose.

    I’d be inclined to namecheck Theatre of Hate/Spear of Destiny too, only Brandon seemed more focussed on pacifism and generally protesting the state of the world as opposed to skewering the UK alone. And then there’s Pink Floyd’s “The Final Cut”>

Got anything to add?