Mixtape.
Aliquam lorem ante, dapibus in, viverra quis, feugiat a, tellus. Phasellus viverra nulla ut metus varius laoreet quisque rutrum.

Instagram

Music Like Dirt/News and MP3s /Lily Allen – Alright, Steal

Blog

Lily Allen – Alright, Steal

For all the Lily Allen fan’s who still seem to flock to the site here’s a little compilation for you to grab.
Its the originals of all the tracks Lily samples on her “Alright, Still” album, and a few others that may or may not have been influences. Hold on to your rib cage while I tell you its called “Alright, Steal“… I know don’t give up the day job!

For the record I’m not critising Lily or her producers for sampling, this is not a negative post. Hopefully her use of a selection of wonderful old reggae and soul tracks might introuce that music to a new generation.  Many of the samples were recreated for the finished record – I believe (correct me if Im wrong) that this is done to save money, its cheaper to give songwriting credit than an actual chunk of someones record.

If I’ve missed any samples or you think I should add a track please leave a comment.

To download the compilation click on the link at the end of the post. It contains all the MP3’s and artwork.

Also here’s a tasty South London remix of LDN by Hard-fi’s tour DJ WrongTom

Lily Allen – “STH LDN” (MP3) (click don’t right click)

For more Lily MP3’s, videos and pics try my previous posts Lily Allen @ Bush Hall & Lily @ yOyO.

If you’re a Lily fan can I strongly advise you listen to Adele (here). “Daydreamer” will break your heart.

Littlest Things1. Pierre Bachelet & Herve Roy
“Emmanuelle In The Mirror”

Littlest Things”… well it’s an obvious Cat Stevens steal surely?? Apparently not, it’s actually based on two tracks from the Soundtrack to Sylvia Kristel’s 70’s soft-core porno classic Emmanuelle.
Pierre Bachelet (1944 – 2005) (co-writer with musical director Herve Roy) was a French singer-songwriter specialising in dreamy romantic vocals. Lily uses “Emmanuelle in the Mirror” and an instrumental version of the title theme, minus Pierre’s whispered voice.

Director Just Jaeckin (both a name and a descriptive term for what most 70’s teenagers did while watching) was asked by dvdmaniacs why he chose Pierre Bachelet to write the score?

How did you choose Pierre Bachelet to write the score?
I did a small TV fashion series, and Pierre was involved in putting some music into the finished project. We became friends, and when I finished Emmanuelle we talked to some very good musicians and singers to work on the score. They would all say no, we don’t want to be involved in an erotic film, so I told Pierre he had to do the music himself (Serge Gainsbourg turned it down, later regretting the decision when the single sold millions). We pushed him to sing the song, and when we heard him sing the first time, we said it was perfect.

Alright, Steal
2. The Soul Brothers
“Free Soul”

On “Smile” the wonderful summer ska sound and keyboards are taken from “Free Soul“, a 1969 track by The Soul Brothers.

Produced by the legendary Coxsone Dodd, with piano from Studio One’s very own Keyboard King Jackie Mittoo, it’s certainly an inspired choice to pilfer.

Alright, Steal
3. Professor Longhair
“Big Chief”

Taking a break from rifling through old reggae compilations for samples, “Knock ‘Em Out” finds Lily heading to New Orleans and snatching some Mardi Gras magic courtesy of the “Big Chief”.
Saint Henry Roeland Byrd, Fess, “the Picasso of keyboard funk” the list of Professor Longhair’s (1918-1980) aka’s and nom de plumes are almost as huge as his reputation and influence. Known for his unique piano playing style, creating entire solos on a limited range of notes “Big Chief” is one of his signature tunes, and no compilation of New Orleans funk would be complete without this track.

Home of the groove has a short history of the track:

“In 1964, songwriter/performer Earl King and arranger/bandleader Wardell Quezergue brought Fess into the studio to record “Big Chief”, which King had written years earlier. They surprised Fess, who hadn’t been active in a while, with a big session, including a large horn section. As it turned out, the song ended up being about five minute long and was split up on the A and B sides of the record, with Part 1 being instrumental, and Part 2 having Earl King singing the lyrics and whistling as the song faded. While King wrote the lyrics and the basic song structure, I am sure it was Professor Longhair who devised the finger-tangling piano riff that few people other than he could ever play well. Also, it is said that, in rehearsal, Fess showed drummer Smokey Johnson the syncopated beat he wanted by playing it on a cardboard box.”

Alright, Steal
4. Lord Kitchener
“London Is the Place for Me”

London Is the Place for Me” is not actually sampled by Lily, but I’m sure she’ll have heard it before, and for me at least it’s the “LDN” of its era. It’s possible to draw a lyrical line back from Lily Allen to Kitcheners tales of London fifty years ago.
Calypso star Lord Kitchener (real name was Aldwyn Roberts) arrived in 1948 on the SS Empire Windrush with the first wave of West Indian migrants invited to work in post war Britain.

Newsreel footage of the time has Kitchener on the docks brimming with optimism, and singing “I’ve been travelling to places years ago, but this is the place I want to know.” It’s a giddy tribute to a city he had never lived in before, with a piano evocatively recreating the chimes of Big Ben.
It’s so upbeat and positive it seems churlish to note that by 1952 he was singing “I regret the day I leave sweet Jamaica, if I had wings like an airplane, I would fly to that blessed country again.“, and he returned disillusioned to Trinidad in 1962. Kitch did however enjoy massive success in England, with Princess Margaret known to be one of his biggest fans.

Alright, Steal
5. Tommy McCook & The Supersonics
“Reggae Merengue”

Lily’s love of vintage reggae must be putting a huge grin on the Trojan Records accounts department. LDN’s trademark horn stabs are lifted wholesale from the glorious calypso of “Reggae Merenge” by Tommy McCook & The Supersonics.
Tommy McCook (1927 – 1998) was quite simply a bonafide Jamaican legend whose trademark tenor sax blessed many a reggae classic. A founding member of The Skatalites, who as in-house band for Coxsone Dodds Studio One created the ska sounds for groups like The Wailers, The Ethiopians and The Maytals.
After the Skatalites split, McCook went on to form the “Supersonics” for Coxsone’s deadly rival Duke Reid and his Treasure Isle Studio. As band leader and musical arranger he oversaw a string of hits for the label, as well as helping to develop Rock Steady and Reggae, having already overseen the birth of Ska with the Skatelites.

Darker Than Blue history of Tommy McCook

Alright, Steal
6. Pierre Bachelet & Herve Roy
“Theme from Emmanuelle (Instrumental)”

Littlest Things” samples the instrumental version of Pierre Bachelet’s dreamy title music to the 1970’s soft-core classic, as well as the previously mentioned “Emmanelle in the Mirror”.

Wikipedia on Emmanuele

Review of the soundtrack

Alright, Steal
7. John Holt
“For The Love Of You (Original version)”

“Friend of Mine” takes its hammond keys and summer reggae-lite feel from John Holts “For The Love of You”, or at least I think it does as the history of reggae features more than a few covers of this Isley Brothers original.

For non Reggae fans John Holt is perhaps most famous for cover versions, his covers album “1,000 Volts of Holt” remains one of the biggest selling reggae albums of all time. His version of Kris Kristofferson’s “Help Me Make It through the Night” made the top 10 in the UK. Returning the favour Blondie had a huge hit with a cover of “The Tide Is High” originally recorded by John as a member of “The Paragons”.

For The Love of You” does feature on “1000 Volts of Holt” but in a slightly different version to the one Lily samples (I think). In order to make them more palatable to the UK market and more likely to get airplay, Trojan Records frequently overdubbed lush strings to the Jamaican master tapes.

Released towards the end of 1973 the original was produced at Vincent “Randy” Chin’s Studio 17 by Chins son Clive with backing by the In-Crowd. It’s a straight up summer anthem, as X says a “masterful interpretation and the epitome of Jamaican soul”. Holt’s voice is simply stunning, and the beat coupled with killer keyboard work adds up to make this an irresistible reggae soul classic.

The History of “For The Love Of You”

Pics & story of Studio 17

Alright, Steal
8. Origin Unknown
“Valley of the Shadows”

Cheryl Tweedy“, the b-side to “Smile” liberally steals from one of the biggest drum & bass tracks of all time “Valley of the Shadows” by Origin Unknown.

Created in 1993 by a 15 year old Andy C (Andrew Clarke) and his mate Ant Miles, it took its famous “long dark tunnel” sample from a BBC QED documentary featuring a woman s near death experience during labour (along with that old chestnut Lyn Collins “Think” for the drums). It’s a dark-core jungle style track with heavy breakbeats and twisted synth hooks… a repeated “31 seconds loop” was taken from one of the NASA Space missions.

Interview with Andy C about “Valley of the Shadows”.

Alright, Steal
9. 50 Cent
“Window Shopper”

Taken from 2005’s “Get Rich or Die Tryin” Soundtrack Fiddys “Window Shopper” is warped into one of Lilys best and certainly funniest tracks “Nan, you’re a Window Shopper”. Almost every line is parodied, so 50’s “nigga when we rollin’, rollin’, rollin'” becomes There’s a leak in your colostomy bag… It’s got a hole in hole in hole in…“. Its essentially a cover version just with lyrics guaranteed to make you grin.

mhmbd
10. Bob Marley & The Wailers
“Burnin’ & Lootin'”

Technically I’m not sure if Lily samples this, but it’s certainly the basis for 50 Cents original “Window Shopper”. Scratch magazine found it: “a little strange to hear Bob Marley’s signature anthem for insurrection being used by 50 Cent to brag about blasting thieves and sexing freaks. However, C. Styles and Sire seem to find the original natty dread’s “Burnin’ and Lootin’” (from Burnin’, 1973) the right inspiration for a slicked-up interpolation which shines up the original songs keys with a brighter, lighter touch”.

Alright, Steal
11. The Specials
“Blank Expression”

“Friday Night” certainly has a darker Specialsy “Ghost Town” feel to it, but I’ve included “Blank Expression” (from their 1979 debut album) instead as Lily covers it for an “itunes only” bonus album track. Terry Hall is the master of taking rocking Jamaican rhythms and undercutting them with a world weary, bathetic, English drone, while Lily at her best carries on Hall’s fine tradition of white boy or should I say girl reggae.

Download the album as a zip here. Download the art work by visiting here. Thanks to stop.me for the art (and please let me know if it works?)

Comments: 109

  • stereogum

    Reply Sep 27, 2006 8:29 pm

    Behind The Music: Lily Allen…

    Head to Music Like Dirt for a zip of the original songs sampled on Alright, Still “and a few others that may or may not have been influences.” I had no idea I liked vintage reggae so much. Thanks Idolator……

  • kier

    Reply Sep 27, 2006 8:47 pm

    It's not working…

  • kier

    Reply Sep 27, 2006 7:47 pm

    It’s not working…

  • kier

    Reply Sep 27, 2006 7:47 pm

    just kidding…

  • kier

    Reply Sep 27, 2006 9:47 pm

    just kidding…

  • Christina

    Reply Sep 27, 2006 9:06 pm

    This is terrific. Thank you

  • Christina

    Reply Sep 27, 2006 11:06 pm

    This is terrific. Thank you

  • Blonei

    Reply Sep 28, 2006 12:51 am

    Yeah man it totally works!

    What a great read & some great tracks. I especially like that Lily sampled the THEME from EMMANUELLE. I think that's just hilarious.

    Thanks so much!

  • Blonei

    Reply Sep 27, 2006 11:51 pm

    Yeah man it totally works!

    What a great read & some great tracks. I especially like that Lily sampled the THEME from EMMANUELLE. I think that’s just hilarious.

    Thanks so much!

  • musiclikedirt

    Reply Sep 28, 2006 11:14 am

    cheers for the comment Blonei and Christina 🙂 and Kier you had me going for a second there (shakes fist angrily)

  • tom

    Reply Sep 28, 2006 11:29 am

    you’re god !!! nice work!!

  • tom

    Reply Sep 28, 2006 1:29 pm

    you're god !!! nice work!!

  • dan le sac

    Reply Sep 29, 2006 3:54 pm

    dope, downright dope…always loved Lord Kitchener, his turn of phrase is really simple but got this quirky thing going on, likes it muchly….nice work mld

  • dan le sac

    Reply Sep 29, 2006 2:54 pm

    dope, downright dope…always loved Lord Kitchener, his turn of phrase is really simple but got this quirky thing going on, likes it muchly….nice work mld

  • tricolores

    Reply Sep 30, 2006 12:32 am

    Great job. Question tho… is the Origin Unknown sample from a particular remix? Pulled out the original 12″ and listened to the one in your zip and just can’t hear it. Was more suprised thhat you didn’t liknk that one to the Specials “Friday Night” as she lifts that song entirely on Cheryl Tweedy.

  • tricolores

    Reply Sep 30, 2006 2:32 am

    Great job. Question tho… is the Origin Unknown sample from a particular remix? Pulled out the original 12" and listened to the one in your zip and just can't hear it. Was more suprised thhat you didn't liknk that one to the Specials "Friday Night" as she lifts that song entirely on Cheryl Tweedy.

  • musiclikedirt

    Reply Sep 30, 2006 6:43 am

    The Cheryl Tweedy one was just the demo/or mix tape version and I have to admit I havnt heard the version that came out for real… will have to dig it out. Perhaps it was only used on demo???

    As for “Friday Night”… completly missed that one 🙂 will have to go hunt my Specials selection to have a listen. cheers

    Dan Le Sac – Thanks.. Lord Kitchener is excellent… my wifes nightie is the work of genius. nice new scroob track btw

  • thigh master

    Reply Oct 1, 2006 5:05 pm

    i owe u lunch in the park

    al fresco stizz

  • thigh master

    Reply Oct 1, 2006 7:05 pm

    i owe u lunch in the park

    al fresco stizz

  • Del

    Reply Oct 2, 2006 8:06 pm

    Wicked stuff. Some fantastic tunes in there, unquestionably. Can’t fault the samples, wonderful to hear them in their original, unLilyfied versions. And any fans of Massive Attack’s Protection LP might recognise a chunk of the lyrics on the Specials track.

    Thanks for this.

  • SwissToni

    Reply Oct 2, 2006 8:41 pm

    nice one, and thanks to Del for the tip-off

    ST

  • Del

    Reply Oct 2, 2006 10:06 pm

    Wicked stuff. Some fantastic tunes in there, unquestionably. Can't fault the samples, wonderful to hear them in their original, unLilyfied versions. And any fans of Massive Attack's Protection LP might recognise a chunk of the lyrics on the Specials track.

    Thanks for this.

  • SwissToni

    Reply Oct 2, 2006 10:41 pm

    nice one, and thanks to Del for the tip-off

    ST

  • Trixie

    Reply Oct 2, 2006 11:30 pm

    Yeah Delface.

    But thanks dude, sweet idea!

  • Trixie

    Reply Oct 3, 2006 1:30 am

    Yeah Delface.

    But thanks dude, sweet idea!

  • Guuzbourg

    Reply Oct 4, 2006 8:33 am

    Thanks so much! Was looking for that SoulBrothers track. Excellent info too.

  • Guuzbourg

    Reply Oct 4, 2006 10:33 am

    Thanks so much! Was looking for that SoulBrothers track. Excellent info too.

  • headphonesex

    Reply Oct 4, 2006 11:28 am

    Great job! Looking forward to giving this a listen.

    One song heavily samples ‘No No No’ by Dawn Penn. But I can’t remember offhand which one…. I think it’s ‘Shame for You’ (the one that goes ‘oh my god you must be joking me, if you think that you’ll be poking me’)

    Either way, that’s a great song for a mix tape!

  • headphonesex

    Reply Oct 4, 2006 1:28 pm

    Great job! Looking forward to giving this a listen.

    One song heavily samples 'No No No' by Dawn Penn. But I can't remember offhand which one…. I think it's 'Shame for You' (the one that goes 'oh my god you must be joking me, if you think that you'll be poking me')

    Either way, that's a great song for a mix tape!

  • Kevin

    Reply Oct 4, 2006 5:39 pm

    It doesn’t seem to work for me – it creates a folder with a file in it called _MACOSX but it seems not to unzip. Does it only work with Macs? I’d love to hear it!

  • Kevin

    Reply Oct 4, 2006 7:39 pm

    It doesn't seem to work for me – it creates a folder with a file in it called _MACOSX but it seems not to unzip. Does it only work with Macs? I'd love to hear it!

  • slutty fringe

    Reply Oct 5, 2006 9:27 am

    this is splendid what what

    props to Music Like Dirt!

    tonyp

  • slutty fringe

    Reply Oct 5, 2006 11:27 am

    this is splendid what what

    props to Music Like Dirt!

    tonyp

  • Jo

    Reply Oct 6, 2006 9:14 am

    I’m pleased to have the opportunity to hear where the Prof. Longhair sample comes from. Much thanks.

  • Jo

    Reply Oct 6, 2006 11:14 am

    I'm pleased to have the opportunity to hear where the Prof. Longhair sample comes from. Much thanks.

  • musiclikedirt

    Reply Oct 8, 2006 4:39 pm

    tony p – thanks – ive been on a download frenzy since I clicked through to your blog – good stuff.

    Kevin – Not sure why its not working :s Ive downloaded it on work PC and seemed to be fine. Anyone else had PC problems?

    Headphonesex – Nice to have a comment from one of my top 5 favourite music blogs 🙂 Will check out the Dawn Penn steal. Congrats on 6th place in BT thingy

    Thighs – rolling stone have hyjacked your homepage!

    Del – Had forgotten about the Massive Attack pilfering… all the best people rip off the Specials.

  • Sach

    Reply Oct 8, 2006 7:20 pm

    Awesome compilation, while it’s always great to hear original samples, these songs stand on their own which can’t be said for everything that gets flipped nowadays. The girl (and her producers) have taste.

    You get definite props for this one.

  • Sach

    Reply Oct 8, 2006 9:20 pm

    Awesome compilation, while it's always great to hear original samples, these songs stand on their own which can't be said for everything that gets flipped nowadays. The girl (and her producers) have taste.

    You get definite props for this one.

  • dan le sac

    Reply Oct 9, 2006 11:59 pm

    tenuous link but i thought it worth mentioning…del mentioned Tricky using a Specials line on Eurochild from Massive Attack’s Protection LP, and it reminded me of the Terry Hall and Tricky collaboration Nearly God…anyone who likes trip hop its worth a listen, its good to hear Terry Hall and Tricky fucking about!

  • dan le sac

    Reply Oct 10, 2006 1:59 am

    tenuous link but i thought it worth mentioning…del mentioned Tricky using a Specials line on Eurochild from Massive Attack's Protection LP, and it reminded me of the Terry Hall and Tricky collaboration Nearly God…anyone who likes trip hop its worth a listen, its good to hear Terry Hall and Tricky fucking about!

  • brooklynvegan

    Reply Oct 11, 2006 9:39 am

    Lily Allen @ Hiro Ballroom, NYC | pics…

    This show was supposed to be mediocre. The blogosphere should be full of nasty comments today – about how terrible Lily Allen was live, and how she should stay in the studio where she belongs. But I doubt it……

  • The Daily Growl

    Reply Oct 11, 2006 12:25 pm

    A slightly belated big up for an amazing post. It truly was worth the wait…

  • The Daily Growl

    Reply Oct 11, 2006 2:25 pm

    A slightly belated big up for an amazing post. It truly was worth the wait…

  • haley

    Reply Oct 25, 2006 9:55 am

    And I thought she was original they are all samples!!!

  • haley

    Reply Oct 25, 2006 11:55 am

    And I thought she was original they are all samples!!!

  • drfeelgoed

    Reply Oct 27, 2006 3:08 am

    Great piece of work, well done!

  • drfeelgoed

    Reply Oct 27, 2006 5:08 am

    Great piece of work, well done!

  • disappointed

    Reply Oct 28, 2006 10:33 am

    der, all I got was a Lilly track – not alright steal what’s wrong?

  • disappointed

    Reply Oct 28, 2006 12:33 pm

    der, all I got was a Lilly track – not alright steal what's wrong?

  • BiggaBush

    Reply Oct 31, 2006 7:04 pm

    nice work getting all these tracks together. I saw Lily at ALL the festies over the summer and was a bit horrified to hear Big Chief being mangled into her set as it’s one of my fave tunes to DJ….but then I thought – her producers have evidently got good taste. what I want to know is this: did all these tracks get credited or did you have to do some digging to identify them?

  • BiggaBush

    Reply Oct 31, 2006 9:04 pm

    nice work getting all these tracks together. I saw Lily at ALL the festies over the summer and was a bit horrified to hear Big Chief being mangled into her set as it's one of my fave tunes to DJ….but then I thought – her producers have evidently got good taste. what I want to know is this: did all these tracks get credited or did you have to do some digging to identify them?

  • Pingback: Cult of Persona-Lily « The Alternakids

    Reply Nov 4, 2006 9:02 pm
  • musiclikedirt

    Reply Nov 9, 2006 12:36 am

    Dan – I was a total tricky anorak in a past life, so yes Im aware of nearly God. About time the man recorded some new stuff… he’s not got great quality control but always puts a gem or two on every record. Saw terry Hall at the Damon Alburn supergroup thing the other week

    Growl – always takes me a while 🙁 but turned out good in the end 🙂

    Haley – Alright Steal is not a critism of Lily. I love a good sample or three, got to pick a pocket or two etc. I love the originals, and just wanted to get them a little more attention/credit than they were getting. If somethings number one largely built around classic reggae then it seems to me a perfect time to shine a spotlight on a wonderful but neglected treasure trove of music 🙂

    Disapointed – Not sure what you did wrong? Did you click on the LDN remix :s if so well it may make more sense to click the thing saying “Alright Steal download here”. If anyone else is struggling let me know.

    Biggabush – did a bit of digging, but the vinyl copy of her album has the songwriting credits so gave me clues to lots of the tracks. Listen to a few different version of For The Love Of You before I placed the source, and went down a few other dead ends but not that hard. Sounds like I miussed a couple from what people have posted.
    The influences like Specials and Lord Kitch are just educated guesses, and tracks I love.

    Cheers for all the comments – Glad its being enjoyed!

  • Start Snitching

    Reply Nov 11, 2006 2:31 am

    Great post.
    I knew the album felt oddly odd.

  • Start Snitching

    Reply Nov 11, 2006 4:31 am

    Great post.

    I knew the album felt oddly odd.

  • Lea

    Reply Nov 11, 2006 5:23 pm

    You know what? I think I found one more: the beginning of “Alfie” kind of sounds like “Puppet on a string”! Don’t ya think?

  • Lea

    Reply Nov 11, 2006 7:23 pm

    You know what? I think I found one more: the beginning of "Alfie" kind of sounds like "Puppet on a string"! Don't ya think?

  • The Sheik

    Reply Jan 28, 2007 11:17 am

    yes, Alfie is Sandie Shaw – Puppet on a string

  • The Sheik

    Reply Jan 28, 2007 1:17 pm

    yes, Alfie is Sandie Shaw – Puppet on a string

  • llia

    Reply Feb 15, 2007 7:34 am

    i’m a bit late to this party, but thank you so much. x

  • llia

    Reply Feb 15, 2007 9:34 am

    i'm a bit late to this party, but thank you so much. x

  • Bumbasnatch

    Reply Apr 16, 2007 10:20 pm

    Very late to respond to this thread. Don’t think these have been said:
    “Friday Night” – listen to “storm warning” by Lynn Tait
    “Not Big”- small ascending sample from The Specials “Ghost Town”
    Perhaps the biggest one that I’ve noticed it that the vocal melody is loosely based on the hornline of the Jackie Mittoo song “Loving you” from his album titled “Evening Time”

  • Bumbasnatch

    Reply Apr 16, 2007 11:20 pm

    Very late to respond to this thread. Don’t think these have been said:
    “Friday Night” – listen to “storm warning” by Lynn Tait
    “Not Big”- small ascending sample from The Specials “Ghost Town”
    Perhaps the biggest one that I’ve noticed it that the vocal melody is loosely based on the hornline of the Jackie Mittoo song “Loving you” from his album titled “Evening Time”

  • Bumbasnatch

    Reply Apr 16, 2007 10:22 pm

    The vocal melody I’m talking about is the Lily song “Shame for You”

  • Bumbasnatch

    Reply Apr 16, 2007 11:22 pm

    The vocal melody I’m talking about is the Lily song “Shame for You”

  • Lilyallenfans

    Reply Jun 12, 2007 3:48 pm

    Good post! Great info blog bookmarked;)

  • Lilyallenfans

    Reply Jun 12, 2007 4:48 pm

    Good post! Great info blog bookmarked;)

  • cg321

    Reply Jun 17, 2007 7:45 pm

    Is it just me, or does the Mark Ronson Revisited mix of Smile sound like Walking on Sunshine?

  • cg321

    Reply Jun 17, 2007 8:45 pm

    Is it just me, or does the Mark Ronson Revisited mix of Smile sound like Walking on Sunshine?

  • cg321

    Reply Jun 17, 2007 7:49 pm

    Lily’s next album is called Just Lily. I wonder what other songs she’ll copy off of next!

  • cg321

    Reply Jun 17, 2007 8:49 pm

    Lily’s next album is called Just Lily. I wonder what other songs she’ll copy off of next!

  • rob

    Reply Oct 25, 2007 9:24 pm

    will someone please tell me the name of the original which ‘everythings just wonderful’ by lily allen is sampled from.

  • rob

    Reply Oct 25, 2007 11:24 pm

    will someone please tell me the name of the original which 'everythings just wonderful' by lily allen is sampled from.

  • ericklinks

    Reply Nov 16, 2007 3:11 pm

    haha man.. u make m laught publishing this type of pages… sampling is legal and lily knows that. but it seems to me that u dont.

    if u dont like her why r u doing that…? i have the “alright still(still, not steal lol)” and in all the songs, there is a permission for using`em.

    and tommy mc cook, emmanuelle, etc etc etc…earns money for each time that lily sings her songs.
    love lily xxxxxxxxx

  • ericklinks

    Reply Nov 16, 2007 3:15 pm

    and in “everithing`s just wonderfull”, “take what u take”, “alfie”, “not big”, “shame 4 u” anda “friday niht” there is no samples

  • ericklinks

    Reply Nov 16, 2007 4:15 pm

    and in “everithing`s just wonderfull”, “take what u take”, “alfie”, “not big”, “shame 4 u” anda “friday niht” there is no samples

  • musiclikedirt

    Reply Nov 16, 2007 4:32 pm

    ericklinks – cheers for the comment, but did you actually read the page?
    It doesnt slag Lily or suggest she didnt get permission. This blog covered and supoorted Lily since day 1, indeed Lily used pics from here on her first Website.

    Download the originals and enjoy them, but you can enjoy “Alright, Still” too. Its possible to like both.

    Bumbasnatch – I’ll have to have a listen to all those suggestions. Top trainspotting!

  • ericklinks

    Reply Nov 16, 2007 5:11 pm

    haha man.. u make m laught publishing this type of pages… sampling is legal and lily knows that. but it seems to me that u dont.

    if u dont like her why r u doing that…? i have the "alright still(still, not steal lol)" and in all the songs, there is a permission for using`em.

    and tommy mc cook, emmanuelle, etc etc etc…earns money for each time that lily sings her songs.

    love lily xxxxxxxxx

  • ericklinks

    Reply Nov 16, 2007 11:36 pm

    oh yeah? .. so why u put lily in “music like dirt” and u call her CD “alright steal” ??

    explain me that: “indeed Lily used pics from here on her first Website”.

    thanks 4 reading me
    ericklinks

  • ericklinks

    Reply Nov 17, 2007 12:36 am

    oh yeah? .. so why u put lily in “music like dirt” and u call her CD “alright steal” ??

    explain me that: “indeed Lily used pics from here on her first Website”.

    thanks 4 reading me
    ericklinks

  • musiclikedirt

    Reply Nov 17, 2007 4:21 am

    Alright, Steal is just a play on words based on her album being called Alright Still. I’m all for a bit of stealing. As for music like dirt, thats what this site is called. Its taken from an old Desmond Dekker track.

    http://www.musiclikedirt.com/2006/05/19/lily-allen-yoyo-180506/
    above is an old review of Lily from this site and here are some pics I took which Lily used.
    http://flickr.com/photos/musiclikedirt/sets/72057594139063580/

    Keep it trilly.

    MLD

  • javier arely

    Reply Dec 21, 2007 9:10 pm

    this page of musiclikedirt is the best thank for your good music ……javier

  • javier arely

    Reply Dec 21, 2007 10:10 pm

    this page of musiclikedirt is the best thank for your good music ……javier

  • avaleigh

    Reply Feb 15, 2008 4:15 pm

    Jamaica embraces white reggae Artist. Get free music at avaleigh.co.uk.

  • avaleigh

    Reply Feb 15, 2008 5:15 pm

    Jamaica embraces white reggae Artist. Get free music at avaleigh.co.uk.

  • Philip Chapman-Bell

    Reply Feb 17, 2008 4:36 pm

    LDN’s tune sounds a heck of a lot like Judge Dread’s Big Seven, an underground classic in the UK in 1980 or thereabouts.

  • Philip Chapman-Bell

    Reply Feb 17, 2008 5:36 pm

    LDN’s tune sounds a heck of a lot like Judge Dread’s Big Seven, an underground classic in the UK in 1980 or thereabouts.

  • Urban Djin

    Reply Feb 17, 2008 9:27 pm

    Nice detective work! Of course, any artist working in a retro mode has sources, and no artist creates ‘ex nihilo’, but this does seem to cross the line into blatant theft!

    The easiest way to appear original is always to borrow from the obscure. Last week amidst all the Grammy nonsense I heard a commentary on the radio about Amy Winehouse’s quirky and unique genius! And she might indeed sound unique to those who’ve never heard Betty Roche. I’d bet the ranch that Winehouse grew up listening to Betty. I’ll credit her with good taste in choosing stylistic sources, but not with originality.

  • Urban Djin

    Reply Feb 17, 2008 10:27 pm

    Nice detective work! Of course, any artist working in a retro mode has sources, and no artist creates ‘ex nihilo’, but this does seem to cross the line into blatant theft!

    The easiest way to appear original is always to borrow from the obscure. Last week amidst all the Grammy nonsense I heard a commentary on the radio about Amy Winehouse’s quirky and unique genius! And she might indeed sound unique to those who’ve never heard Betty Roche. I’d bet the ranch that Winehouse grew up listening to Betty. I’ll credit her with good taste in choosing stylistic sources, but not with originality.

  • Paulo

    Reply Feb 18, 2008 3:38 am

    Great post.

    I don’t really listen to much mainstream music, and hadn’t even heard of her when I saw her on Saturday Night Live. I was blown away, thinking, “Wow, she has that old reggae sound that I really dig.” About a week later, I was listening to some stuff in my collection and heard Reggae Merengue and recognized it as one of the songs she performed on SNL. I didn’t know whether to be disappointed or not. I’d like to hear more artists coming out with that old reggae sound, but I’d really like it if some artists actually making NEW songs with those sounds were getting some recognition. (Disclaimer: I play in a reggae band, so I’m not entirely unbiased.)

  • Paulo

    Reply Feb 18, 2008 4:38 am

    Great post.

    I don’t really listen to much mainstream music, and hadn’t even heard of her when I saw her on Saturday Night Live. I was blown away, thinking, “Wow, she has that old reggae sound that I really dig.” About a week later, I was listening to some stuff in my collection and heard Reggae Merengue and recognized it as one of the songs she performed on SNL. I didn’t know whether to be disappointed or not. I’d like to hear more artists coming out with that old reggae sound, but I’d really like it if some artists actually making NEW songs with those sounds were getting some recognition. (Disclaimer: I play in a reggae band, so I’m not entirely unbiased.)

  • musiclikedirt

    Reply Feb 18, 2008 11:23 am

    Philip – I think reggae tracks habit of borrowing heavily from each other leads to it sounding like quite a few tunes. Hadn’t noticed the Judge Dread similarity though, will have to have a listen when im home.

    Urban – It is blatant theft but in my view what’s wrong with that? Its either good or bad music, the fact that it samples doesnt matter too much to me. I dont see a huge difference between the Rolling Stones reinterprting blues to Lily singing over old reggae tracks. Pop has always eaten itself.
    Agree with you about the over the top Winehouse hype, she’s clearly not a “unique genius”, but she does make some damn fine tunes. Like this post hopefully people who get into her will go on to discover Betty Roche.

    Paulo – Thanks, it would be nice to hear a bit more new reggae music I agree. With that in mind, where can I hear your band?

  • John

    Reply Sep 29, 2009 8:37 pm

    This whole thing is a mess. We need to rethink the music business if it is to survive the ever changing world to which we belong…

    I have created a place dedictated to rational study of doing business from creative endevours..

    http://killingmusicwordpress.com

  • John

    Reply Sep 29, 2009 10:37 pm

    This whole thing is a mess. We need to rethink the music business if it is to survive the ever changing world to which we belong…

    I have created a place dedictated to rational study of doing business from creative endevours..

    http://killingmusicwordpress.com

  • Dara

    Reply May 19, 2010 11:09 am

    Great work.

    Whats' the phrase?

    Talent borrows, genius steals….

  • Dara

    Reply May 19, 2010 10:09 am

    Great work.

    Whats’ the phrase?

    Talent borrows, genius steals….

Got anything to add?